Saturday, November 3, 2012

How and When to Sand Wood


Once again I have turned to a real expert, not only in wood working but also a fine and articulate writer to share his ideas with you this time about sanding.  He raises another point with which I agree, sanding is not evil and a wood worker that sands is not by definition a poor craftsman.


Mr Schwarz writes:

I’m always bemused by woodworkers who boast that they never use sandpaper.
I usually say something to them such as: “Then I guess you don’t like old-school technology.”
When they look confused, I add: “Egyptians used sandstone to abrade wood flat. Sanding is older technology than planing, which is a Greek or Roman invention.”
As far as I know there hasn’t been a definitive history written about abrasives. And please don’t ask me to write it – I have enough to do on this earth already. So if you need a good idea for a gritty bestseller….
The problem with abrasives is how they are abused in this modern day. Abrasives have almost always been some part of the finishing process, but the key word in that sentence is “part.” Today, most modern shops start with abrasives and end with abrasives. And that’s when they become the lung-clogging, vibrating misery known as power sanding.
So let’s take a close look at a more balanced approach that was practiced in England during the 19th and 20th centuries. It’s explained here by Charles H. Hayward in the book “The ABC of Woodwork.”
“Cleaning up a panel, table top, or whatever it may be is a fairly straightforward job. The smoothing plane cutter is sharpened to as straight an edge as possible, and the plane is set fine with the back iron as close as possible. It is assumed that the wood is already true and requires only to be skimmed to remove marks or tears made by the trying or panel plane. The entire surface is gone over with the grain. In most woods, the tears will come out, though, admittedly, there are difficult woods. So much depends on the plane and the way it is set. The cabinet maker’s smoothing plane has a high pitch in which the action approaches that of scraping rather than cutting, and if this ha the back iron set fine there are only a few woods which cannot be planed. (Remember on this score that the straighter the edge the more closely the back iron can be set.)
“In any case, however, the scraper must foll ow for all hardwoods. It is not only that it will remove any tears that may be left, but it will take out all marks left by the plane. This is a point that is easily overlooked. Then again, in some difficult woods the grain runs in streaks about 1/4 in. or 1/2 in. wide, and it is impossible to plane one with the grain without tearing up those adjoining. The scraper can be bent and used on a comparatively narrow area of the wood.
“Glasspapering follows, and a flat rubber (usually of cork) is essential. The purpose of glasspapering is only partly to smooth the surface; it has for its second object that of getting rid of marks left by the scraper. This cannot be done when the glasspaper is merely held in the hand. The pressure is uneven and is not great enough. Furthermore, all sharp edges and corners are liable to be dubbed over, giving a dull, unspirited appearance to the work.”
To summarize: Plane until you cannot improve the surface. Scrape until you cannot improve the surface. Sand until you cannot improve the surface. Finish.
This is the way I’ve worked for many years. I buy a box of #220-grit Abranet every couple years, and that covers all my sanding needs.
And one last detail: Hand sanding is a hand process requiring great skill to execute – especially when it comes to contoured surfaces. So don’t hide your sandpaper when your breeches-wearing hand-tool buddies come over for a beer.
— Christopher Schwarz
If you want to learn a lot more about handplanes, check out my book “Handplane Essentials,” a huge tome on handplane work that encompasses much of my writing on these tools for the last decade. Click here for details.
You can also read many other interesting blog postings by Mr. Schwarz at  his blog
to order sand paper on-line: thetoolstore.ca

Thursday, November 1, 2012

garden Tote

   If you wonder around a museum featuring everyday objects from a couple of hundred years ago those objects commonly were embellished with carvings or some type of folk art painting. It seemed the goal of ancient Romans and Greeks was to and like a Baroque Church bling can be over done too.   Our current modern tastes have changed over time so that our day to day items are utilitarian and fairly stark not objects of beauty. Though I admit some of the clean pure lines of Scandinavian design rests easily on my eyes I still like a little but of flare, it helps to draw and focus my attention.
 
   The pretty box in the photo comes from either India or Indonesia and is no doubt a product that is churned out by workman in a nasty factory the like of which we can barely imagine. The box is also kept cheap to buy  because the workman is paid next to nothing for his/her labour.  I certainly don't  like to see work men exploited, but it is nice to see carving and a little bit of flash on everyday items.  Keeping my spare change, pocket knives and general 'stuff' in a nice container makes me smile. 
  That sort of thinking effected what I did with this recent project. 
 
 
 
   This tool/garden box is going on sale at our church, some of the guys at church recycled some odds and ends from their scrap bins while some of the rest of us screwed them together and brought the projects home to sand and paint.      
 
   After working the wood over with 120 and 220 grit sand paper I went looking for some paint to finish the box off, when I had an inspiration.  A couple of weeks ago I returned to a wood carving and have been making more wood chips than  clouds of sawdust just lately.  I like the quiet of the work environment, as well as the lack of saw dust and dust masks and shop vacs and all the other things that go with wood shop machines.  So instead of just painting the box I decided to give it a little hand work.
 
 
   The pattern is very basic relief carving using a "V" tool or "parting chisel".  I laid the pattern out after I had sealed the wood and put one coat of light orange/brown coloured water based stain on.  Once I had carved the pattern in the wood I went back and gave it a quick coat of oil based paste style stain so that it would darken the carved lines, but I was very careful not to let the stain colour the rest of the box very much.  All the oil stain did was deepen the colour of the first stain and highlite the carving.
 
 
    I do not labour under the delusion that my work is great art, or in fact even great craft but, you know, it was greatly satisfying.